| Name | Earl Jackson, Jr. |
|---|---|
| Job title | Chair Professor |
| Education |
1984-87 Ph.D., Comparative Literature, Princeton University. Dissertation: "Comparative Heresies: Transcendence and Immanence in Modernist Poetics in Japan, France, and the United States" 1982-84 M.A., Comparative Literature, Princeton University 1980-82 M.A., East Asian Languages and Civilizations, Harvard University. Thesis: "Meaning to See: The Sôtô Zen Hermeneutics of Dôgen Kigen" (1200-1253) 1979-80 Inter-University Center for Japanese Language, Tokyo 1977-79 M.A., East Asian Literature, Cornell University. Thesis: "Textual Aspects of Participatory Realism in Noh: The Lyric Sequence in the Noh Text." 1975-76 Deutsche Akademische Auslandsdienst Fellow, Universität Würzburg 1973-76 B.A., Summa cum Laude, German Literature, State University of New York at Buffalo. |
| Professional Experiences | Academic Affiliations 2019-Now, Chair Professor Department of Foreign Languages and Literatures, Asia University, Taiwan 2017-2019, Chair Department of Foreign Languages and Literatures, National Chiao Tung University, Taiwan 2013-2019, Professor Department of Foreign Languages and Literatures, National Chiao Tung University, Taiwan 2012-2013, National Science Council Visiting Professorship Department of Foreign Languages and Literatures, National Chiao Tung University 2009-2012, Visiting Professor Department of Cinema Studies, Korean National University of Arts 2006-2009, Professor English Language and Literature, Korea University 2004-2005, Visiting Professor Department of Cinema Studies, Korean National University of Arts 2002-2003, Visiting Research Fellow East-West Center, University of Hawaii at Manoa, Honolulu, Hawaii 1993-2006 (retired), Associate Professor Department of Literature, University of California, Santa Cruz 1989-1993, Assistant Professor Department of Literature, University of California, Santa Cruz 1987-1989, Adjunct Assistant Professor Humanities Program, University of Minnesota 1987-1989, Assistant Professor East Asian Studies, University of Minnesota 1984-1987, Instructor East Asian Studies, University of Minnesota |
| Research Fields & Interests | COMPARATIVE LITERATURE GENDER STUDIES PSYCHOANALYTIC THEORY VISUAL CULTURE STUDIES FILM THEORY JAPANESE LIT.: MODERN AND CONTEMPORARY LITERATURES |
| Classes in charge | Studies in Literary Genres |
| Tel | 1940 |
| Office | M618 |
| Office Hours | Tue. 13:10-17:00；Wed. 13:10-17:00 |
| Websites | https://research.asia.edu.tw/TchEportfolio/index_1/earljackson |
- JOURNAL PAPERS
- BOOKS / BOOK CHAPTERS
- CONFERENCE PAPERS
- RESEARCH GRANT
- COURSE INFORMATION
- THESIS ADVISOR
| Year | Paper Title |
|---|---|
| 2022 | 賈元鵬(Earl Dewayne Jackson, Jr.)*, Review of Hikari Hori. Promiscuous Media. Film and Visual Culture in Imperial Japan, 1926-1945., Quarterly Review of Film and Video, 2022 |
| 2022 | 賈元鵬(Earl Dewayne Jackson, Jr.), Review of Naoki Yamamoto. Dialectics without Synthesis: Japanese Film Theory and Realism in a Global Frame, Monumenta Nipponica, 2022 |
| 2021 | 賈元鵬(Earl Dewayne Jackson, Jr.)*, Reading the Writing I: Intertextual Subjectivity and Intersubjective Textuality in Laura Mulvey’s Ultravioleta, Journal of Narrative Theory, vol.51.3, 2021 |
| 2021 | 賈元鵬(Earl Dewayne Jackson, Jr.)*, The Poetics of Survival in Kim Soyoung’s Exile Trilogy, philoSOPHIA: A Journal of Transcontinental Feminism, 2021 |
| 2021 | 賈元鵬(Earl Dewayne Jackson, Jr.)*, Review of Sangjoon Lee, Cinema and the Cultural Cold War: US Diplomacy and the Origins of the Asian Cinema Network, Harvard Journal of Asiatic Studies, 2021 |
| 2021 | 賈元鵬(Earl Dewayne Jackson, Jr.)*, Contrary Witnesses: John Addington Symonds, Samuel R. Delany, and the Historiography of the Unspeakable, 文山評論：文學與文化, 2021 |
| 2020 | 賈元鵬(Earl Dewayne Jackson, Jr.)、Patrick Noonan(Patrick Noonan)*, Genre in Asian Cinema: An Introduction, Concentric: Literary and Cultural Studies, vol.46 no.1 pp.3-10, 2020 |
| 2020 | 賈元鵬(Earl Dewayne Jackson, Jr.)*, Interrupting the Melodrama: Kawashima Yuzo’s Interventions in Genre and Gender, Concentric: Literary and Cultural Studies, vol.46 no.2 pp.161-193, 2020 |
| 2019 | 賈元鵬(Earl Dewayne Jackson, Jr.)*, Writing Internal Distances: Renee Gladman’s Translucent Poetics, Tripwire, vol.15 pp.115-129, 2019 |
| 2019 | 賈元鵬(Earl Dewayne Jackson, Jr.)*, Passionate Agendas: Melodrama in the Films Yoshimura Kozaburo, Asian Cinema, vol.30 no.1 pp.3-16, 2019 |
| 2019 | 賈元鵬(Earl Dewayne Jackson, Jr.)*, The Cinematic Subject of Masumura Yasuzo, 文山評論, vol.13 no.1 pp.151-179, 2019 |
| Year | Book Title |
|---|---|
| 2022 | 賈元鵬(Earl Dewayne Jackson, Jr.), A Companion to Japanese Cinema, Silverscreen Dreamboats and the Polyvocal Address, Blackwell Press, Jan. 2022 |
| 2020 | 賈元鵬(Earl Dewayne Jackson, Jr.), Companion to Federico Fellini, Fellini in Japan, Wiley Blackwell , Jan. 2020 |
| 2018 | 賈元鵬(Earl Dewayne Jackson, Jr.), The Handbook of Asian Cinema, Re-framing Loss: Japanese Cinematic Melancholia in Inter-Asian Frameworks, Palgrave Macmillan, Jan. 2018 |
| Date of Publication | Paper Title |
|---|---|
| 2021.11 | 賈元鵬(Earl Dewayne Jackson, Jr.), “Spectacle and Scrutiny: the Analytic Image in Japanese Cinema” , The Asian Conference on Media, Communication & Film (MediAsia) 2021, Nov. 2021, Kyoto, Japan |
| 2021.10 | 賈元鵬(Earl Dewayne Jackson, Jr.), Handloom in the Night: Samuel R. Delany’s Textual Engagement with AIDS , Interfacing Conference 2021: Pandemics & Plagues, Languages & Literatures, Oct. 2021, Taipei, Taiwan |
| 2021.09 | 賈元鵬(Earl Dewayne Jackson, Jr.), 'Beloved Sons of the Empire’: Homoerotic Paternalism in Imperial Japan , Queer Asia as Method: Roundtables and Townhall 2021, Sep. 2021, London, UK |
| 2020.12 | 賈元鵬(Earl Dewayne Jackson, Jr.), Detecting Orikuchi Shinobu in Otsuka Eiji’s Kijima Nikki , Anthropology in Manga Conference 2020, Dec. 2020, Taipei, Taiwan |
| 2019.09 | 賈元鵬(Earl Dewayne Jackson, Jr.), Aftermath and Interval: Hermeneutic Time at the Margins of Action in Ashes of Time and The Assassin , Multiple Temporalities Conference 2019, Sep. 2019, Tokyo |
| Year | Project Title | Participator | Job Title | Period | Unit |
|---|---|---|---|---|---|
| 轉化主觀視角：木下惠介電影作品中的批判意識及其呈現 (112-2410-H-468-017) | 賈元鵬(Earl Dewayne Jackson, Jr.) | 2023.08 ~ 2024.07 | |||
| 2023 | 轉化主觀視角：木下惠介電影作品中的批判意識及其呈現 (NSTC 112-2410-H-468-017) | 主持人 | 2023.08 ~ 2024.07 | 國科會 | |
| 雙重曝光：三位日本電影工作者在其電影語言中呈現的影像與意義 (111-2410-H-468-022) | 賈元鵬(Earl Dewayne Jackson, Jr.) | 2022.08 ~ 2023.07 | |||
| 2022 | 雙重曝光：三位日本電影工作者在其電影語言中呈現的影像與意義(NSTC 111-2410-H-468-022) | 主持人 | 2022.08 ~ 2023.07 | 國科會 | |
| 2021 | 日本類型電影中的危機與意涵 (110-2410-H-468-020) | 賈元鵬(Earl Dewayne Jackson, Jr.) | 主持人 | 2021.08 ~ 2022.07 | 科技部 |
| 2019 | 川島雄三電影作品中的性/別與再現 (108-2410-H-468-025) | 賈元鵬(Earl Dewayne Jackson, Jr.) | 主持人 | 2019.08 ~ 2020.07 | 科技部 |
| Category | Course Code | Course Title | Year |
|---|---|---|---|
| 研究所碩士班 | 47M00091A | 文學文類研究 | 112 |
| Year | Research Title | Publish Date | Authors |
|---|---|---|---|
| 2022 | Carnival, Fantasy, Ritual: The Thematic Mise-en-sce`ne in Contemporary Cinema | 2023-07-01 | Muhammad Rizal Zulmi |
| 2022 | The Space of Meaning/the Meaning of Space: In The Magician on the Skywalk | 2023-07-01 | 莊謹嘉 |
| 2020 | Violence and Women’s Voices in the Films of Mouly Surya | 2021-07-01 | Zakiyah Dania Billah |
